1 week, 5 days ago

 


 [this article is a serious spoiler and leaves the service after 5 seconds] 


Here's a word to prove that you've seen the secret corner:

"Climbing together?" 

"Do you think I have a chance?" 

"Thank you brother Chaoyang." 

"In the blue sky and the Milky way, there is a little white boat..." 

…… 

In the play of hidden horn, 
 above. 


After reading, my mind is full of:

Qin Hao's bald head, Zhu Chaoyang's eyes, Chen Lin's red toenails, Pu Pu's "brother Chaoyang", Liufeng mountain, Xiaobai boat...... 

Above all, it comes from the abundance of details in the whole play. 



 01 the mystery behind the ending curve 


How detailed is hidden angle? 


 the trailer is part of the story. 


The lyrics of the song at the end of the second episode indicate the ending of Zhu Yongping, Zhu Chaoyang's father. 


In the episodic music of Episode 9, we select the backward swing about the suicide of patients with depression by taking medicine 
 death in the rotating apartment 
, from the title of the song to the arrangement of the music, all alluding to the fact that Pu has 

In the 10th episode, before the finale, Yan Liang runs back to the apartment and anxiously looks for Pu Pu. The 
 slow camera slowly pushes Yan Liang's desperate face to the end of the movie, and the ending song crane smaller than a young man rings before the dark field. 

This is a song with a more melancholy overall tone by Ding Ke, the music director of the play. Before and after the two episodes, almost sad Soundtrack (some netizens call it "Yin music") was used respectively, and 
 has already made clear the end of Pu Pu. 


There are 12 sets of positive films and 11 pieces of final music, which are just the volume of an album. Hidden angle, 
 may be the first TV play in China with different ending pieces. I didn't finish listening to the trailer. This episode is for nothing. 

Xin Shuang, the director of hidden angle, is a former director and a later punk. He used to be a former member of Joyside, a well-known punk band in China. The 
 serious play band 
. The most well-known work before is the sound ensemble "city of fantasy". 

All of the 11 pieces are from 
 the top independent bands and musicians in China: Houhai sharks, Muma, residents of Xiaojuan & Valley, PK14, luminous curve, anti general, Joyside... 

"Band director" has created an exclusive technique of 
 hiding plot plot in music 
. Voice eggs, arrangement and lyrics are all integrated into the mood and atmosphere of the positive plot, so that the audience and listeners can't pull out the story for a long time, so-called "top". 

With the combination of sound and shadow, hidden angle has grasped the key point of "suspense crime drama" in its original production concept: it is not the story that hits the people's heart, 
 but the emotion. 


However, in 12 episodes, there are only 11 pieces of coda. Guess where is the less one? 
 in Episode 11, the most emotional episode. At the end of this episode, there is the only "video egg" in the play. 

This episode ends in the fire warehouse of Zhang Dongsheng (Zhu Yongnian died miserably). The sound of the fire paves an empty track to form a temporary "piece ending music", until it connects the story colored eggs of 
 ZHU Yongnian's coming home to listen to Zhu Chaoyang's recording 
 and from that moment on, the father who only loved his daughter for the first half of his life decided to do everything he could to protect his son. 

In addition, in the prelude to the epilogue of Episode 9, after the last mirror of Episode 12 and before the epilogue, the director hides 
 "voice eggs" 
. One reveals the intrinsic motivation of Zhang Dongsheng's love for his wife to become a devil and love for Pu Pu, the other implies that Zhu Jingjing's event has other hidden feelings, which are important hints pointing to the core of the drama. 

With the "arguments" of voice eggs and the hints of the diary in Episode 12, we will find that the whole play, as Zhang Dongsheng tells the Descartes story in the children's palace, 
 in front of the audience are the two versions of the story: 


The first edition is the 
 fairy tale 
 with a happy ending on the surface, and the first edition is the secret truth: Zhu Chaoyang is blacked out, Yan Liang, Pu Pu and Lao Chen are all dead. 

In the play, Zhang Dongsheng asks, 
 "would you like to believe in fairy tales or reality?" In addition to the play, 
 the screenwriter also borrows Dongsheng's words to ask the audience: 
 would you like to believe the end of this fairy tale or to explore the cruelty of the truth under the fairy tale? 



 02 is black a masterpiece

Three days ago, he Junyi, the chief producer of hidden angle, and Xin Shuang, the director, were interviewed by the entertainment industry. They both expressed a similar view: 
 they didn't want to show pure evil even without censorship. 


After reading the interview, I began to fall into a deep self-examination. Usually, we all think that it is necessary to show the evil of human nature without reservation. Therefore, we all don't like scissors. 

But the words of the creator remind me, is it only a black work, all villains, 
 such a work is a masterpiece? We are used to leaving all the pots to the censor, but whether we neglect it or not, perhaps, 
 ambiguity is the essence of art. 


The original work of hidden angle 
 bad child 
 links the absence of original family education with the abnormal growth of children, and tells the story that several children imitate adults to do evil and fall into the abyss of crime step by step. 

The evil results are rooted in the evil soil. Bad children has a positive meaning of warning the world to be careful of the negative guidance of the original family to the children. But it always writes about the worst of both adults and children, and makes the characters tend to be monotonous and the stories tend to be distorted. (limitations of genre fiction?) 

The drama version is different from the original intention, and the main idea is not to do evil itself, but the 
 psychological "motivation" behind the family, character emotion and growth track pulled by the crime event 
: what kind of reason does a person choose to do evil, and whether he / she has his / her obsession. 

As a result, "hidden angle" puts "human" at the top priority of 
, and narrative takes the second place. The people in the play are not going all the way to the evil of darkness, nor are they completely innocent. At least from the part that the director shows us, we will find the ambiguity and dilemma in everyone. 

Hidden horn is not a dualism of good and evil. 

Even Zhang Dongsheng, who has three lives in his hand, has been the director's foreshadowing from the beginning for his parents in law's contempt for him, his wife's indifference to him, and his relatives' mockery of him. In essence, 
 is treated with disrespect by the other 
 again and again, laying the seeds of distortion in his heart. 
In the original book, General Zhu suffered from various coldness, bullying, and even sexual assault since her parents died at a young age, which made her lose the innocence of her child in the subsequent confrontation with Zhu Jingjing; in the original book, Zhu Chaoyang's father never dared to recognize this son. He grew up in hatred and repression, and knew how to behave before and behind others Set. The death of his sister, father and stepmother all came from his careful planning step by step. 

In the adaptation of the drama version, Pu Pu and Zhu Chaoyang put more 
 "ambiguity" 
. They have a bad side and the same side of children. What kind of children do you think they are depends on the perspective of the audience. 

In the same 12 episode story, some people think Zhu Chaoyang is a good child and Pu Pu is a lovely girl; some people see 
 ZHU Chaoyang's mind 
, and 
 Pu Pu's "green tea bitch" attribute 
. Whether it is better to leave the choice of story version to the audience than the original "one black to the end". 

Let's just give one example to the people of Pu Pu. In recent days, 
 how to evaluate Pu Pu has become a hot topic of discussion 
. Some people think that she is very cute after watching it. Some people think that she is the most thoughtful person in the whole play. 

Pu Pu is very observant and knows how to turn the situation around by showing weakness when it's not good for her. He cheated the police twice (cheating Chen to get lost and stealing books to distract the police). For the first time, he didn't panic when facing the murderer (cheating him to be a bookstore clerk), and even asked Zhang Dongsheng to treat her like a daughter, 
 his mind is far beyond that of his peers. 


In the third episode, there is a scene where she peeps into the singing of girls in the chorus class of the children's palace. The scene is transformed into a surreal paragraph where Pu meets his parents and younger brother. This is a clear metaphor. Like her parents, Xinxin, her younger brother, has already died. 


Looking at the ending of the rotating lens, 
 Pu's position just blocks the original brother's position of position C. 

In the whole play, Pu Pu says that 300000 yuan is used to cure his younger brother Xinxin's crime, 
 but Xinxin hasn't appeared in a second 
. Every time he makes a phone call, it's Aunt Zhang, not Xinxin. This is even more evidence that 300000 yuan is not saving Xinxin. 

Perhaps, she cheated Yan liangna to pay 300000 yuan, which was not to treat her brother's disease at all, 
 is more likely to raise medical expenses for her asthma treatment. 
 in the whole play, she is the only reason that leads the action of the three person group of children. It is because of the big lie she tells that all people are involved in the event vortex with her. 

Even so, the director not only does not positively describe Pu Pu's "evil", but also gives him a good side: love small animals, trust Zhang Dongsheng, and empathize with Zhu Chaoyang's pain. At the end of the sixth episode, the director gave three children the most romantic imagination about the future on the sea of Zhanjiang, 
 and the little white boat. 


The popularity of hidden angle is largely due to the fact that 
 audiences enjoy the fun of seeking to unlock different versions of stories under the skin and to find both good and evil sides of human nature 
, listening to the human response of "think carefully and fear extremely", and writing like the original works is boring. 


 03 save the whole play with God ending 


Well, from the above analysis, let's see how the creators achieve the God ending in Episode 12. 

In fact, when I watched episodes 9, 10 and 11 for the first time, my impression was: 
 fear of collapse. 


In my opinion, the best part of this is Episode 10, with the title 
 Uncle Zhang. 


This episode promotes the relationship between the main line Zhang Dongsheng and the three children. The most classic 
 is a McDonald's play 
. The three children, especially Yan Liang, swing between trusting Zhang Dongsheng and turning over the "empty memory card" is also very wonderful (and provides logical support for the subsequent blackening of Zhu Chaoyang). 

However, Wang Li, Wang Yao's younger brother, is an outsider (Episode 8)

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